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Mahesh, Painter by day
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Anuruddha, Fashion Designer
by night
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Jeevantha, the Red Shirt
Upul, Demon Slayer
Painting
Some Painters
Some more Painters
The first one-hundred-and-fifty-five
The painting was pretty straight forward.

Flesh - Bronze Flesh, Elf Flesh, Skull White, Flesh Wash
Bronze - Brazen Brass, Shining Gold, Brown Ink
Capes - Red Gore, Chaos Black, Blood Red
Black Bits - Chaos Black, Shadow Grey
Basing - Scorched Brown, Graveyard Earth, Kommando Khaki,
dash of static grass

To create smoother transitions we do a lot of blending between
colors, for example we did the  flesh this way:

Bronze Flesh basecoat
Flesh Wash wash
Bronze Flesh/Elf Flesh drybrush, 1:1
Elf Flesh drybrush
Elf Flesh/Skull White drybrush, 2:1

The only thing that has been tricky have been the eyes, recessed
inside the helmets. Most of the eyes on the first batches were
rejected, but now they've got the hang of them. One of the
challenges when working with a lot of painters is that it's not enough
to tell one person how to do something, you need to make sure
everyone involved knows, and understands. Then the harder bit -
you have to go back and make sure that they know, and that they
are indeed doing it.

Working with more experienced staff is always easier -- they know
more about painting, understand how we do things, and they are
usually the ones coming up with the solutions. The junior staff are
much more of a challenge and you can never do enough training.

I feel most people don't take basing seriously enough, it either
makes or breaks a miniature. Rather than green flock and a goblin
green trim, I prefer using real dirt for the flocking (it's more realistic
looking than dirt flock), painting it in three colors, and then added
some tufts of static grass if appropriate. On larger bases we'll add
some small, Woodland scenics bushes.  The basing style of course
depends on the theme of the minis.